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DIY and lo-fi sound emissions featuring a blend of Detroit techno,Chicago house,ambient,electro and industrial sounds wrapped with experimental,abstract and sometimes filmic aspectation. Hello underground people of the net. Welcome and keep making noise.Cookies? who cares?we care about music s**t, life is too short! For requests, questions please contact to: dispatch@kaltonetracks.com
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Compose and record sounds.Tune or detune samples. Modulate arrange them do your own thing.Then press play record. Mix and mess with them on the fly.Ambient Dogma FM 4 Fm synthesis Mix by JLYFM.
S u b t r a c t i v e ° E c h o e s / M a k i n g ° N o i s e ° O n ° A n d r o m e d a s ° B a l c o n y
Oscillator: The process begins with an oscillator that generates a waveform. Common waveforms used in subtractive synthesis include sawtooth, square, and triangle waves. These waveforms are rich in harmonics, providing a complex starting point. Filter: The core of subtractive synthesis is the filter. Filters can be low-pass, high-pass, band-pass, or notch. A low-pass filter, for example, allows low frequencies to pass through while attenuating higher frequencies. By adjusting the filter's cutoff frequency and resonance,you can shape the sound's timbre. Amplifier: After filtering, the sound passes through an amplifier, which controls the overall volume and can shape the sound's dynamics using an envelope generator. Envemelope Generator: The envelope generator (often referred to as ADSR - Attack, Decay, Sustain, Release) shapes how the sound evolves over time. It controls the attack (how quickly the sound reaches its peak), decay (how quickly it drops to the sustain level), sustain (the level during the main sequence of the sound), and release (how quickly it fades away). LFO (Low-Frequency Oscillator):An LFO can modulate various parameters of the sound, such as pitch, filter cutoff,oramplitude, to create movement and variation in the sound.
You can create a wide range of sounds by shaping and sculpting the harmonic content of a waveform a technique where you start with a sound that is rich in harmonics and then use filters to remove (or subtract) certain frequencies to shape the final sound.Understanding this kind of synthesis you can unlock a vast array of sonic possibilities and create unique, expressive sounds tailored to your musical vision..Subtractive synthesis has been a cornerstone of electronic music since the 1960s and 70s
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