rawmachinemusic
diy and lo-fi sound emissions from thessaloniki greece featuring a mix of detroit
techno,chicago
house,ambient,electro and industrial sounds wrapped with experimental but sometimes filmic aspectation.
hello people of the net. Welcome
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!cookies? who cares?we care about music s**t, life is too short!
follow the flow
tracks+more at archive.org or
kNoBY soundcloud
KT radio-obsolete stasis MIX-wednesdays 20:00-22:00
athens
time
-dj radial74 mixing tunes-
broadcasting 24/7 dope music !please support!
next show 20-11-24
OSM podcast site
compose and record sounds.sample modulate them do your own thing.then press play and mess with them on
the
fly.this is
jamix. dogma ambient fm 2 a live
fm synthesis mixed on the fly.check out the mixcloud page
making noise / home studies
The process begins with an oscillator that generates a waveform. Common waveforms used in
subtractive
synthesis include sawtooth, square, and triangle waves. These waveforms are rich in harmonics, providing
a
complex
starting point.
die kaskaden
trying to escape go beyond
harnes
The core of subtractive synthesis is the filter. Filters can be low-pass, high-pass, band-pass, or
notch. A
low-pass
filter, for example, allows low frequencies to pass through while attenuating higher frequencies. By
adjusting the
filter's cutoff frequency and resonance, you can shape the sound's timbre.
projektaa
ambient techno and rhythmic vibes
discoball
After filtering, the sound passes through an amplifier, which controls the overall volume and can shape
the
sound's
dynamics using an envelope generator.
trackin' force
deep inside.space time continuum
slam blind
The envelope generator (often referred to as ADSR - Attack, Decay, Sustain, Release) shapes how the
sound
evolves over
time. It controls the attack (how quickly the sound reaches its peak), decay (how quickly it drops to
the
sustain
level), sustain (the level during the main sequence of the sound), and release (how quickly it fades
away).
delysic
a noisey abstract state
freakuency
An LFO can modulate various parameters of the sound, such as pitch, filter cutoff, or amplitude, to
create
movement and
variation in the sound.
39715
obelisk
a dystopic future a blurry past
This is a static web page made for desktop only.want to keep things simple and concentrated as
possible.for more material go visit the
association
links above.
for questions,requests ect. please contact here
thank you for your visit